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	<title>Comments on: Moby, Black appropriation, and white electronics</title>
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	<link>http://lastangelofhistory.wordpress.com/2007/05/06/moby-black-appropriation-and-white-electronics/</link>
	<description>Black popular culture and strong critique of white supremacy, patriarchy, and homophobia</description>
	<lastBuildDate>Fri, 25 Sep 2009 21:12:25 +0000</lastBuildDate>
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		<title>By: DUTTY ARTZ &#187; Blog Archive &#187; Audio Black Face</title>
		<link>http://lastangelofhistory.wordpress.com/2007/05/06/moby-black-appropriation-and-white-electronics/#comment-14</link>
		<dc:creator>DUTTY ARTZ &#187; Blog Archive &#187; Audio Black Face</dc:creator>
		<pubDate>Wed, 03 Sep 2008 23:01:35 +0000</pubDate>
		<guid isPermaLink="false">http://lastangelofhistory.wordpress.com/2007/05/06/moby-black-appropriation-and-white-electronics/#comment-14</guid>
		<description>[...] Moby’s work provides a different type of mediation however, from that of Allen Lomax and other archivists. While Lomax did indeed choose when and what to record, it is the really the technology of the recording apparatus, in Lomax’s case 1/8” tape, that provides the essential link between the original sound and the listener. Moby’s mediation, the loading of an entire song, a complete hymnal, into ProTools (or equivalent DAW) and violently puncturing it through editing is a different kind of act. I agree with departed ethnomusicologist and cultural historian Tim Haslett when he writes: [...]</description>
		<content:encoded><![CDATA[<p>[...] Moby’s work provides a different type of mediation however, from that of Allen Lomax and other archivists. While Lomax did indeed choose when and what to record, it is the really the technology of the recording apparatus, in Lomax’s case 1/8” tape, that provides the essential link between the original sound and the listener. Moby’s mediation, the loading of an entire song, a complete hymnal, into ProTools (or equivalent DAW) and violently puncturing it through editing is a different kind of act. I agree with departed ethnomusicologist and cultural historian Tim Haslett when he writes: [...]</p>
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		<title>By: Charm Kids</title>
		<link>http://lastangelofhistory.wordpress.com/2007/05/06/moby-black-appropriation-and-white-electronics/#comment-12</link>
		<dc:creator>Charm Kids</dc:creator>
		<pubDate>Thu, 16 Aug 2007 20:47:55 +0000</pubDate>
		<guid isPermaLink="false">http://lastangelofhistory.wordpress.com/2007/05/06/moby-black-appropriation-and-white-electronics/#comment-12</guid>
		<description>This is very nice and informative post. I have bookmarked your site in order to find out your post in the future.</description>
		<content:encoded><![CDATA[<p>This is very nice and informative post. I have bookmarked your site in order to find out your post in the future.</p>
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		<title>By: MyszkÃ³w County</title>
		<link>http://lastangelofhistory.wordpress.com/2007/05/06/moby-black-appropriation-and-white-electronics/#comment-3</link>
		<dc:creator>MyszkÃ³w County</dc:creator>
		<pubDate>Sun, 17 Jun 2007 01:23:16 +0000</pubDate>
		<guid isPermaLink="false">http://lastangelofhistory.wordpress.com/2007/05/06/moby-black-appropriation-and-white-electronics/#comment-3</guid>
		<description>&lt;strong&gt;Aaron_Huey&lt;/strong&gt;

John Fleming (Canadian politician) Pam O&#039;Connor (skater) Campaign Life Coalition Australia A rugby union team Chapel St Leonards Pentelikon Sakhalin Island Medical Automation MyszkÃ³w County Lijst Vijf Fortuyn </description>
		<content:encoded><![CDATA[<p><strong>Aaron_Huey</strong></p>
<p>John Fleming (Canadian politician) Pam O&#8217;Connor (skater) Campaign Life Coalition Australia A rugby union team Chapel St Leonards Pentelikon Sakhalin Island Medical Automation MyszkÃ³w County Lijst Vijf Fortuyn</p>
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